Recognition
Second Story has collaborated with many of the world’s outstanding organizations, cultural institutions, and brands to create compelling projects that have been featured in the popular press and in dozens of books. The studio’s work has also garnered many of the industry’s top interactive design awards and accolades.
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The Scout Report, Research and Education, December 3, 2004 (The Price of Freedom: Americans at War)
“There are numerous online exhibits that attempt to holistically address the experience of Americans at war, but few succeed as thoroughly as this recently released gem presented by the Smithsonian National Museum of American History. With an admirable eye for integrating visual documentary evidence and short historical essays and descriptions, this website offers insights into the various armed conflicts that have engulfed the country from the Revolutionary War to the current conflict in Iraq.”
- Communication Arts, Site of the Week, October 4, 2004 (Forces of Nature)
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Yahoo!, Pick of the Day, September 20, 2004 (Forces of Nature)
“Go inside the eye of a hurricane with this fantastic 3D primer and uncover Ivan’s terrible secrets, as well as the science behind other natural disasters. From volcanic geysers and ‘nation building’ in the Pacific, to tornado alley and terrifying temblors in Asia, the forces of nature are a nearly unpredictable brew of meteorological and geologic events.”
- Macromedia, Site of the Day, September 17, 2004 (Forces of Nature)
- National Design Award, Cooper-Hewitt National Design Museum (Smithsonian Institution), Finalist, Communications, July 1, 2004
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American Association of Museums Muse Awards, Bronze, Art, 2004 (Kiki Smith: Books, Prints and Things)
“The overall look and feel of this site was in tune with the art—subtle and harmonious. The slowly moving menu with innovative music causes the viewer to slow down and take time with the introductions, enabling an in-depth reading and absorption of the quotes. The artist opinions spoken in the ‘Process’ section, and the high quality images allowed the viewer to get a very personal perspective. The site allowed the viewer to participate in ways that books, films, and exhibits can’t.”
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American Association of Museums Muse Awards, Silver, History and Culture, 2004 (Anne Frank the Writer: An Unfinished Story)
“Compelling, very thorough treatment of topic with balance of visuals & written material. I could have spent hours on this site; utterly captivating in the way its copious material was presented in well-organized, clear fashion so that it can be examined layer after layer...Refreshingly objective and unsentimental; real object-based learning: the artifacts speaks for themselves.”
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American Association of Museums Muse Awards, Silver, Science, 2004 (Changing the Face of Medicine)
“The sphygmograph interactive uses simple computer animations to explain the operation of a very complicated medical device. The device itself is within a case. In fact, the object on display would be very difficult for visitors to understand without the use of technology. This entry is a very helpful interpretive tool for explaining an obscure but important artifact. It is a perfect example of how new media can help visitors learn in an exhibition, rather than just add noise and diversion.”
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American Association of Museums Muse Awards, Honorable Mention, Collection Database/Reference Resource, 2004 (Peabody Essex Museum)
“The site is a wonderful combination of great design and content. The collection material was very well presented and rich in scope. It represents a wealth of information that will continue to grow and change. The bookmark feature is a great addition, and this personalization of the visit will surely generate return visits.”
- Macromedia, Site of the Day, February 27, 2004 (Kiki Smith: Books, Prints and Things)
- Eisenhower National Clearinghouse, Digital Dozen, January 2004 (Changing the Face of Medicine)
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“At the Archives, Real National Treasures,” The Washington Post, Janice L. Kaplan, December 3, 2004 (National Archives Public Vaults)
“The Archives’ stylish new interactive exhibition ‘Public Vaults’ is designed to give visitors the feeling of going behind the scenes and into the stacks of the working Archives, which are best known for displaying the Constitution, Bill of Rights and Declaration. While ‘Public Vaults’ offers a number of hands-on activities for younger children, students in middle school and older will get the most from it. Bach was particularly impressed that ‘Public Vaults’ offered activities for children with different learning styles. Danny, who is a sensory learner, got absorbed in a station devoted to the Great Seal of the United States. Steven, a visual learner, is interested in espionage; he enjoyed looking up information on Watergate and learning about secret White House recording devices. Using new technology developed for this exhibition, David moved a plasma screen along a wall labeled with different topics relating to federal investigations, such as the Titanic and Challenger disasters, and UFOs. While the creators obviously hoped to reach young visitors, many adults will want to linger long after their children are ready to move on.”
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“At Museums, Computers Get Creative,” New York Times, Katie Hafner, December 2, 2004 (National Archives Public Vaults)
“Another ambitious computer-based project has been taking place at the National Archives in Washington, where there are three computers hidden behind a cluster of archival boxes in a stack area. Visitors can move a computer screen along a horizontal track in front of the boxes. ‘As we began to develop this exhibit, we started to talk about how we could get people to think beyond the rotunda walls,’ said Bruce Bustard, senior curator at the National Archives.”
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Communication Arts, Web Watch, Sue Garibaldi, December 2004 (Forces of Nature)
“Just one more in a long line of successful, experiential sites from National Geographic.”
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“From Oswald To Elvis To Nixon,” CBS Evening News, Jim Stewart, November 23, 2004 (National Archives Public Vaults)
“If America has an attic, this is it—the place where we keep all those old records from the mundane to the memorable, reports CBS News Correspondent Jim Stewart. If it was worth saving, this is where it’s at now—in a new National Archives exhibit that just opened called the Public Vaults. You can still see the Constitution of course, but this is where they keep the really good stuff no one knew what to do with until now. But most of all, it’s that sense of shared history—old times and our times—carefully preserved and now laid out to be marveled at all over again.”
- “15th Annual Muse Awards,” Museum News, Herminia Wei-Hsin, November 2004
- “Second Story Reaches the Next Level,” The Oregonian, Randy Gragg, October 24, 2004
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“How to Make Your Own Natural Disaster,” Christian Science Monitor, Jim Regan, August 11, 2004 (Forces of Nature)
“National Geographic’s Forces of Nature takes an interactive look at some of the planet’s less endearing atmospheric and geologic attributes, and even lets visitors try their own hand at unleashing Nature’s fury. Using a Flash interface and a generous allotment of multi-media, Forces has no trouble keeping the information intelligible and the presentation engaging.”
- “Second Story,” w.e.b., July 2004 (Anne Frank the Writer: An Unfinished Story, Yin Yu Tang, Theban Mapping Project, A More Perfect Union: Japanese Americans & the U.S. Constitution, Pinch)
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“Skyscrapers in Cyberspace: Maps and History Online,” New York Times, Matthew Mirapaul, May 14, 2004 (Theban Mapping Project)
“The Web site of the Theban Mapping Project, based at American University in Cairo, lets visitors use an interactive map to explore the tombs of Thebes.”
- “Brand New Things,” Photo District News, Jenn Shreve, April 2004 (Kiki Smith: Books, Prints and Things, America on the Move, Remembering Pearl Harbor, Taken on the Road: American Mile Markers)
- “Beyond Online Collections: Putting Objects to Work,” Museums and the Web 2004: Proceedings, Brad Johnson, April 2004 (America on the Move, Peabody Essex Museum)
- “Visiting the Virtual Museum,” Communication Arts, Sam McMillan, March 2004 (September 11: Bearing Witness to History)
- “Realtime,” Wired, March 2004 (Changing the Face of Medicine)
- “News Bites from A to Z,” STEP, March 2004 (Kiki Smith: Books, Prints and Things)