Recognition
Second Story has collaborated with many of the world’s outstanding organizations, cultural institutions, and brands to create compelling projects that have been featured in the popular press and in dozens of books. The studio’s work has also garnered many of the industry’s top interactive design awards and accolades.
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USA Today, Hot Sites, May 12, 2005 (Monticello Explorer)
“A virtual site tour is never the same thing as being there, but the good people at the Thomas Jefferson Foundation have gone way out of their way to make the experience worthwhile, providing a trip through a 3-D model of Monticello and likely more access to Jefferson’s famed plantation and home than you’d be privy to during a physical visit.”
- I.D., Annual Design Review, Design Distinction, Interactive Media, 2005 (AIGA Design Archives (2005))
- Flash in the Can, Finalist, Educational, 2005 (Forces of Nature)
- Flash in the Can, Winner, Story/Narrative, 2005 (The Price of Freedom: Americans at War)
- Webby Awards, People’s Voice Winner, Science, 2005 (Forces of Nature)
- STEP 100 Design Annual, 2005 (Forces of Nature)
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“History Bytes,” AASLH History News, 2005 (George Washington: A National Treasure)
“It is an excellent example of guided exploration of a painting as the basis to learn about the sitter. The user can use three filters to explore the portrait—symbolic, biographic and artistic—each offering a different interpretation. The is an excellent model of an approach that could be used with many other artistic works.”
- Flash Film Festival, Finalist, Story, 2005 (The Price of Freedom: Americans at War)
- One Show Interactive, Silver, Non-Profit Web Sites, 2005 (AIGA Design Archives (2005))
- One Show Interactive, Finalist, Non-Profit Other Digital Media, 2005 (Pirate Soul Museum)
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HOW, Interactive Design Annual, Outstanding, Consumer Web Sites, 2005 (Forces of Nature)
“Forces of Nature strikes the perfect balance between the two most common kinds of science websites; highlights include a 3D flythrough of the San Andreas fault and the site’s pared-down, intuitive navigation.”
- HOW, Interactive Design Annual, Merit, 2005 (Witness to History: Documenting the Path of Liberation)
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HOW, Interactive Design Annual, Outstanding, Kiosks, 2005 (Pirate Soul Museum)
“This look at infamous buccaneers gets its gritty feel from its beginnings as a real-life book. An excellent re-creation of the atmosphere of a pirate tale.”
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American Association of Museums Muse Awards, Bronze, History and Culture, 2005 (Pirate Soul Museum)
“This program offers excellent audio and fine integration of high-end, 3D animation techniques on a Flash kiosk platform. It was a nice blend of easily digestible information and interactive discovery.”
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American Association of Museums Muse Awards, Honorable Mention, History and Culture, 2005 (The Price of Freedom: Americans at War)
“This site provided an almost immersive experience, and used Flash application where it helps—but not excessively.”
- Omni Intermedia Award, Bronze, Educational, 2005 (Witness to History: Documenting the Path of Liberation)
- Omni Intermedia Award, Bronze, Entertainment, 2005 (Pirate Soul Museum)
- Omni Intermedia Award, Silver, Educational, 2005 (Looking at Paintings)
- Omni Intermedia Award, Gold, Educational, 2005 (The Price of Freedom: Americans at War)
- Omni Intermedia Award, Gold, Government, 2005 (National Archives Public Vaults)
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Communication Arts, Interactive Design Annual, Winner, Information, 2005 (Forces of Nature)
“The layout is clean and well considered. There was no sensation of information overload, and the payoff was being able to interact with the ‘forces of nature’ that the site was endeavoring to explain.”
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Communication Arts, Interactive Design Annual, Winner, Information, 2005 (Witness to History: Documenting the Path of Liberation)
“This is a great example of a sprawling documentary brought to interactive media. The amount of content is Ken Burns-like in breadth, yet its presented so intuitively that I’m left remembering the stories, not the navigation. How often does that happen, really?”
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Communication Arts, Interactive Design Annual, Winner, Self-promotion, 2005 (AIGA Design Archives (2005))
“Beyond being a valuable online resource, the AIGA archive displays a clean and clear approach to interaction and usability that never distracts from the work it was designed to feature.”
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Communication Arts, Interactive Design Annual, Winner, Information, 2005 (National Archives Public Vaults)
“This is the best project—ever. Making the National Archives more comprehensible, accessible and interesting delivers on the promise of interactive design. Once again, Second Story rises to the occasion. Kudos.”
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Print, Digital Design Annual, Winner, Education, 2005 (Forces of Nature)
“From the initial main page navigation to the interactive maps and modules, National Geographic’s natural disaster info site is a wealth of smartly positioned content and educational resources.”
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Print, Digital Design Annual, Winner, Cultural, 2005 (The Price of Freedom: Americans at War)
“Second Story’s treatment of the content places the history of American conflict in a larger framework, most clearly illustrated by the overarching timeline interface.”
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“Ten Websites You Shouldn’t Miss: Theban Mapping Project,” The Christian Science Monitor, Jim Regan, December 29, 2005 (Theban Mapping Project)
“A recent redesign has made this archeological website spectacular. With interactive maps of every known tomb in Egypt’s Valley of the Kings, an interactive and narrated ‘walk-through’ of one of the better-documented tombs, and an interface that manages to keep everything straight, the Theban Mapping Project is probably the most impressive website I’ve encountered.”
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“Ten Websites You Shouldn’t Miss: Monticello Explorer,” The Christian Science Monitor, Jim Regan, December 29, 2005 (Monticello Explorer)
“With 3-D tours of Thomas Jefferson’s estate, this site offers an extensive survey of a more traditional property. Explorer was as impressive for its ease of navigation as for the quality of its interactive tours.”
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“A Virtual Exhibit ‘On the Move,’” The Christian Science Monitor, Jim Regan, October 5, 2005 (America on the Move)
“The three main sections are thoroughly interlinked—click on an image in the Exhibition or Themes sections, and the site will load details and access to a larger copy of the image from the Collection database. With so much to view, it’s worth noting that context plays as important a role as content in the website’s presentations. The benefits of ‘being there’ notwithstanding, technology certainly has its advantages.”
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Communication Arts, Web Watch, Rebecca Bedrossian, July 2005 (AIGA Design Archives (2005))
“It’s a great way to get an inside glimpse at the cream-of-the-crop in contemporary design.”
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“Diverse Spaces Sweeten, Sour Third Angle Music,” The Oregonian, David Stabler, May 4, 2005 (Frozen Music)
“[T]he unfinished basement of the Hilton Executive Tower, built in 2002, beckoned us into a ‘virtual concert hall’ of the future. From street level, we descended to a bunker of concrete walls and exposed pipes. Four projection screens the size of garage doors rose behind Brian Quincey, an Oregon Symphony violist, who performed two works…Johnson’s images took us down to a watery city of leaning towers glistening under reflected sunlight. Red and purple sea creatures—star shapes, sinuous tadpoles—glided about. Bubbles rose. Sitting in the dark, immersed in a watery world, I felt as if I were in a dream. Johnson somehow transformed a cold catacomb into a womb of flowing fantasies. My senses enjoyed a good soak.”
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“The Tao of Design,” The Christian Science Monitor, Jim Regan, May 2, 2005 (AIGA Design Archives (2005))
“From a redesign of the Comedy Central network logo, to the cover design for the 2001 Charles Schultz retrospective, ‘Peanuts,’ to packaging for everything from iPods to Star Wars merchandise, this site will be a valuable resource for the student of design—and for the rest of us, an entertaining spot to do a bit of poking around.”
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“A Virtual Visit to Monticello,” The Christian Science Monitor, Jim Regan, April 26, 2005 (Monticello Explorer)
“Monticello Explorer offers what could easily be an overwhelming amount of information, but keeps things intelligible through navigation options that are as intuitive as walking through someone’s home. (Which, as it turns out, is exactly what you’ll be doing.)”
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“Web Review: A Virtual Visit to Monticello,” The News & Observer, Jim Regan, April 26, 2005 (Monticello Explorer)
“Monticello Explorer not only lets you walk the halls and fields of the estate, it actually gives you more access to this World Heritage Site than you’d get during a personal visit.”
- “Designed in Portland,” Portland Monthly, Camela Raymond, April 2005
- “Place-Based Storytelling Tools: A New Look at Monticello,” Museums and the Web 2005: Proceedings, Brad Johnson, April 2005 (Monticello Explorer)
- “Next: Design Industry News that Matters,” STEP, Mary Fichter, March 1, 2005 (AIGA Design Archives (2005))